Managing to encapsulate in an album that fleeting period of transition between day and night is no easy feat, but it's something Federico Albanese has managed spectacularly. With The Blue Hour, the Milan-born, Berlin based 'piano poet' has crafted an album as elegant as it is melancholy, in which the lasting impact is only matched by each track's transience.
This review was originally written for Drowned in Sound. Click here to read in full.
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