For many, the fact that Newcastle’s Maximo Park are still massively active more than ten years since their inception is crazy. While so many bands of their era have either stagnated in to obscurity, or reached the dizzying heights of worldwide renown, theirs is a career of celebrated consistently, of which the 2000 people in attendance this evening are a testament.
Monday, 5 June 2017
Much like the country in which it was conceived, ‘Visuals’, the seventh album from Danish dream-poppers Mew, harbours an imposing nature concealed behind its inherent beauty. Written while on the road in support of previous release ‘+-‘, there’s a definite sense of the band attempting to, and succeeding in, capturing what frontman Jonas Bjerre refers to as a ‘creative peak’.
Pop-punk has come a long way since the Descendents exploded on to the LA hardcore scene in the ‘80s, and these days, it has never felt more relevant. Now a far cry from irreverent humour, teenage angst, and, erm, fart jokes, pop-punk has grown up, and become more cathartic in the process.
Three years have passed since Brighton punks Gnarwolves released their self-titled debut. In the scheme of things that might not so long, but the change in the band is more than evident. ‘Outsiders’, though harbouring the same energy and DIY ideals as its predecessor, is a record more nuanced, and more considered than anything the trio have released before.